Thursday, 28 July 2011

Blog Assignment 3

The theory Owen Jones believed in was one which put craft, materials and process before aesthetics. Jones’ argument was that “Construction should be decorated. Decoration should never be purposely constructed”. He means that when something is designed, it should have a basic solid structure before being decorated or made to be aesthetically pleasing. Jones believed materials should remain true and should serve the purpose they were made to do, for example wood should not be painted or covered, it is a material which is recognised for its own unique qualities.

An example of constructed decoration, I believe is the Centripetal Spring Armchair, Designed by Thomas Warren. However, there is an opposing view on this design which shows that this chair is made for more than decoration. Made from varnished cast iron, varnished steel and wood, this chair holds an interesting aesthetic, alongside function. Many would criticize this design and say it is more of a decorative piece because it displays unnecessary decoration , as opposed to a structure which was made to fulfil a basic purpose.  Designed for use on railway carriages and other forms of transport, the spring chair allowed for shock absorption and movement, making this a design which served a specific purpose, therefore some would argue it is not ‘decoration constructed’  and perhaps falls into the ‘constructed decoration’ category.

Thursday, 21 July 2011

Blog Assignment 2

Heatwave radiator
Joris Laarman, The Netherlands, 2003
‘Polyvalent’Modernism
The heatwave radiator designed by Joris Laarman is a stunning example of modern sensuous design and the continuing curve. Laarman, from the Netherlands, designed a product in 2003 which took on a classic look but modern style. The Heatwave Radiator is a result of a byoge Baroque era when attention to detail meant everything.  Designed mainly  for more efficient heating, Laarman also had other ideas in mind. He wanted to make a conventional heater, but add a touch of delicacy and edge to such a design, one that the buyer would not want to hide. The emotions connected with an interior piece of design like this needs to be taken into mind, and Laarman connects with these emotions through the way he uses curves. For a modern designer, taking on such a unique look would seem almost genius, but risky. However this style comes from centuries ago and is a timeless design style. 

Thursday, 14 July 2011

Blog Assignment 1

The Bauhaus Design School played a major role around an era where the world was beginning to witness  a move in the way we would eventually perceive art and design in a modernistic way. The school of design, Foundered by Walter Gropius in Weimar in 1919 introduced designers such as Hannes Meyer,  Marcel Breuer, and  Mies van der Rohe, who would later become  some of the world’s greatest and most influential designers in history.

171- Design ideas in context